GUEST LECTURE: Kata Szita: “Watching Movies with Hands: Smartphones and Cognitive Experience”

Welcome to an open lunch lecture

Watching Movies with Hands:
Smartphones and Cognitive Experience

by Kata Szita

WEDNESDAY 9 NOVEMBER 2016
at 12.00 – 13.00
Department of Media
Miestentie 3, Otaniemi
4th floor, room 429

Abstract:

Smartphones are often described as something that extends the user’s body, but what does this contact mean in terms of film experience? The emerging discipline, which deals with the application, advantages and drawbacks, social and economic effects of mobile usage is often limited either to user behavior (such as forms of communication or consumption) or to the interface (interface design, affordances), but rarely focuses on the cognitive impact of the user-device interaction. Using interdisciplinary approaches, in my doctoral thesis I attempt to turn the spotlight on how this interaction affects film and video experience, and how it requires new viewing strategies from the users’ side, and potential new strategies from the content producers’ side.

The thesis borrows concepts from cognitive, behavioral, and developmental psychology in order to describe how spectators evolve with the new media environment, and what factors inform this development for a generation in the age of digital cinema and portable screens; it applies semantic and media archeological points of view to highlight the way smartphone interfaces remediate older media (among others the cinema screen); it turns to ecological psychology, game studies, and concepts around haptic interfaces to define the immersive and interactive nature of film experience within various virtual and physical spaces; and lastly, presents the empirical findings—the impact of smartphone film experience on physiological responses.

The empirical section of the thesis seeks answers to how audiovisual footages, such as mobile-distributed movies, commercials, and videos can communicate in the most effective way. In this experiment volunteers are asked to watch approximately 8-10 minutes’ footages of a set of English-speaking commercial movies on a smartphone, while their eye movements, heart rate, skin conductance, and pupil dilation is measured in correlation with their eventual interaction with the device/video player application. The experiment is being designed to measure what effects the screen size, the physical connection between the user’s body and the device, the multiple viewing options that mobile video players offer, and most importantly, the active environments in which smartphones are typically used have on attention, engagement, and the feeling of presence.


SzitaKata Szita is a visiting researcher at the Department of Media at Aalto University, and a PhD candidate in Film Studies at the University of Gothenburg with an interest in neurocinematics, cognitive film studies, and empirical methods like eye tracking. In her PhD thesis she uses these approaches to describe the relocation of cinema onto smartphones, and investigates the role of social development in adapting to the newest viewing conditions. Besides having an extensive practical experience in filmmaking and television production, Szita holds a Master’s degree in Cinema and Media Studies and received her undergraduate education in Sociology and International Relations.

The lecture is open for all at Aalto University. 

Welcome!

Join the webcast for SHOW ME THE MONEY seminar

Hello from the Department of Media!

We are offering a webcast from the seminar SHOW ME THE MONEY – The New Economy for Visual Artists and Designers in Global Village tomorrow Thursday 27th of October, starting soon after 9 AM.

Webcast will be online during the seminar lectures, keynotes and discussion.

Join the webcast at: bit.ly/showmethemoneywebcast

Discuss and follow the event on social media: #showmethemoney2016

Learn more: https://blogs.aalto.fi/mediatutkimus/2016/09/23/save-the-date-show-me-the-money-the-new-economy-for-visual-artist-and-designers-in-the-global-village-seminar/

Enjoy!

Photography Doctor of Arts Seminar, 27 Oct 2016

Welcome to the Doctor of Arts Seminar for Photography

Thursday 27 October 2016, at 9.00–15.00
Arabia, 9th Floor Photography premises

Schedule:

9-10 Liisa Söderlund: väitöskirjan sisällysluettelon esittely
10-12 Tarja Trygg: Väitöskirjan nykyvaiheen esittely
12-13 lounastauko
13-14 Pia Sivenius: ACRIS-tietokannan esittely. TÄMÄ ON PAKOLLINEN KAIKILLE VALOKUVAN JATKO-OPISKELIJOILLE, SILLÄ RESEDA ON JO SULJETTU JA TIEDOT KOOTAAN TÄSTÄ LÄHTIEN ACRIS-TIETOKANTAAN. YKSITYISOPETUSTA EI ANNETA.
14-15 Acriksen käytön harjoittelua, omien tietojen päivitystä. OMA LÄPPÄRI MUKAAN!

Welcome!

Dissertation in field of media: MA Samir Bhowmik

You are cordially invited to the Defence of Doctoral Dissertation of MA Samir Bhowmik:

Deep Time of the Museum.
The Materiality of Media Infrastructures.

2nd of December 2016, 12.00–14.00
Media Factory Auditorium
3rd floor, Hämeentie 135 A
00560, Helsinki, FI
(Enter the building from Arabiakeskus’ doors, stairs on the right after the coffee shop, go one floor up and take left. Media Factory is opposite to the Aalto bookstore.)

The dissertation aims to address the ecological impact of museums and digital heritage. It suggests a design framework towards sustainability.

Opponent: PhD Susanna Pettersson, Ateneum Art Museum
Custos: professor Lily Diáz, Aalto University Department of Media.

Discussion will be held in English.

ABSTRACT

The museum has a ‘material bias’. Beyond the materiality of artifacts, vitrines and dioramas, media technologies for digitization, collections and representation play an ever expanding role today in the fostering of cultural heritage. An enormous amount of media systems and infrastructures are required to maintain and support emerging museum spaces and practices. Composed of a complex and historical body of media devices, most of these are an assortment of black-boxed proprietary hardware and software technologies. Energy footprints have expanded and embodied energy remains undocumented. Behind every act of digitization and mediation lies a chain of data centers, rare earth mining, silicon chip manufacturing and dystopian toxic lakes. The life-span of this media infrastructure is limited and obsolescence drives a perpetual upgrading, resulting in colossal digital rubbish and toxic waste. What is the environmental burden carried by museums? What is the material and energetic footprint of digital heritage? How can the cultural assets of memory institutions be sustained? Through a multi-disciplinary and critical approach to museum infrastructures the dissertation aims to address the ecological impact of museums and digital heritage. First, via an extensive excavation of the museum as a media infrastructure the study seeks to understand the materiality of digital heritage as based in the growing entanglements of media devices, energy and material resources. The study then presents two experimental design interventions within and beyond the museum walls. These were implemented to explore novel ecological media infrastructures and operative methods. Finally, combining these with concepts found from the excavation, a design framework is synthesized that provides guidelines for museums and their user communities toward shaping an ecological institution.

Find the event on Facebook.

WELCOME!

Invitation: Convergence of Artistic Media, University of Helsinki, November 1-2, 2016

Welcome to attend the conference

Convergence of Artistic Media

at The University of Helsinki, November 1–2, 2016

Register by 31 October.

Convergence between arts has been taking place for centuries, and it is one of the most productive features of culture today. Some of the most exciting works of our cultural history are the results of the intermingling and cross-fertilization of different art forms and genres. At times the original works might even recede to the background: Kafka’s or Proust’s literary themes are today often more familiar through comics or films than their original novels and stories.

At this conference we will explore convergence between different artistic media – both old and new. As regards new media, Henry Jenkins has proposed that convergence relates to the way diverse media interact via new digital platforms enabling audiences to act both as creators and as distributors of content. We want to pay attention both to concrete aesthetic and technical processes of convergence as well as the more philosophical and cultural differences that convergence contributes to. How does the narration of the original work of art change in the process of convergence? And what happens when a work of art from an ancient era is adapted to a contemporary artistic form?

Through these questions we will focus on convergence as a way of celebrating the arts in the 21st century. In this year, marking the 250th anniversary of Lessing’s Laocoon, we also want to go back to the prime examples of works which continue to inspire the artistic imagination in the form of verbal, acoustic and visual media.


Programme:

 

Tuesday, November 1st,  2016

University Main Building, Small Festive Hall (Pieni juhlasali), Fabianinkatu 33

10.15                          Leena Eilittä: Welcome
10.30-11.45                Luis Emilio Bruni (University of Aalborg): Artistic Convergence and the Migration of Narratives in Time
11.45                           Coffee
12.00-13.30                 Parallel sessions:

1. Session (Chair: Luis Emilio Bruni), Hall 7, University Main Building

Bo Pettersson (University of Helsinki): Humans Miming Insects Miming Humans: The Insect Play by the Čapeks and Its Adaptations in Light of Lessing’s Aesthetic Theory
Beatrice Seligardi (University of Parma): Working Girls and Cinematic Tableaux: The Intermedial Convergence of Filmic Techniques into Literature and Photography
Catherine Makhumula (Stellenbosch and Linnaeus University): Post-Modern Orature? The Convergence of the Arts and Media Forms in African Theater and Performance

2. Session (Chair: Lieven Ameel), Hall 14, University Main Building

Kirsi Manninen (Aalto University): Digital Drawing on Virtual Paper – Pixels Controlled by Costume Designer’s Hand
Lena Séraphin (Aalto University): Another Alphabet – From Parallel Words to Reciprocated Writing
Katriina Heljakka (University of Turku) and Pirita Ihamäki (Satakunta University of Applied Sciences): “N 61° 29.330 E 021° 47.580” Sigrid-Secrets: Gamifying Art Experiences through Geocaching

13.30-14.30 Lunch

14.30-16.00

3. Session (Chair: Lily Diaz), Hall XV, University Main Building

Alejandro Pedregal (Aalto University): The Drama of the Great Financial Crisis – Film Adaptations and Representations of Greed and Economic Collapse
Jouko Aaltonen (Aalto University): Convergence between Documentary and Fiction
Anna Boswell (University of Auckland): The Convergent Eco-Logics of Green Porno

16.15-17.45                Plenary lecture, Small Festive Hall (Pieni juhlasali)     
Irina O. Rajewsky (Free University of Berlin): Intermediality and Transmediality: Unbraiding Converged Theories

18.00-20.00                 Rector’s Reception, University Main Building, Reading Room (“Lehtienlukusali”)

Wednesday, November 2, 2016

University Main Building, Small Festive Hall (Pieni juhlasali)

10.15-11.30                 Plenary lecture
John Richardson: Multimodality in Arts Research and Techniques of Ecological Close Reading
11.30-12.00                 Coffee
12.00-13.30                 Parallel sessions:

4. Session (Chair: John Richardson), Hall 7, University Main Building

Kai Lassfolk and Mikko Ojanen (University of Helsinki): The Collective Musical and Multimedia Instruments by Erkki Kurenniemi
Sanna Qvick (University of Turku): Echoes of Detachment and Displacement in the Finnish Children Fairytale Film Pelicanman
Sanna Iitti (Independent Scholar): Robert Schumann’s Opera Genoveva as a DVD Production

5. Session (Chair: Leena Eilittä), Hall 12, University Main Building

Kate Costello (University of Oxford): Gao Xingjian’s Aesthetic of Suggestion: From Stream of Consciousness to Liubai
Jonas Mirbeth (Free University of Berlin): “Just a whisk of pity a cloud in peace and silence.” On the Notion of Political Aesthetics in John Cage’s Literary Work with James Joyce’s Finnegans Wake
Juha-Pekka Kilpiö (University of Jyväskylä): Transmediating the Third Meaning? Kinekphrasis in Contemporary Finnish Poetry

13.30-15.00                 Lunch

15.00-17.00                 Parallel sessions:

6. Session (Chair: Henry Bacon), Hall 7, University Main Building

Gianluigi Rossini (University of L’Aquila): “How are you listening, my old friend?” Mr. Robot, Transmedia Dispersion and Stylistic Coherence in Contemporary TV Series
Anna-Leena Harinen (University of Eastern Finland): Problematizing Relationships between Adaptations and Their “Source Text”: The Case of Game of Thrones
Hanne Juntunen (University of Tampere): Adapting the Unadaptable: The Visual Narrative of Watchmen on the Page and on the Big Screen
Bianca Thiem (University of Bayreuth): Adaptations as Carriers of Cultural Narratives: Visualizing The Great Gatsby (Fitzgerald 1925-Luhrmann 2013)

7. Session (Chair:Laura Wahlfors), Hall 12, University Main Building

Eija Niskanen (University of Helsinki): TBA
David Havas (Academy of Performing Arts & National Film Archive in Prague): Poetic Escapism: Prague in Czechoslovak Comics and Urban Legends
Brenda J. Robles (ELO Film School, Helsinki): Shakespearian Mode in an Original Screenplay: A Research Plan for an Artistically Oriented Study

17.00               Closing words, Hall 7, University Main Building

19.00               Conference Dinner (Lappi Restaurant)


Programme updates here.

Please register here.

NOTE: Students and faculty from the organizing universities (University of Helsinki, University of Tampere, Aalto University and University of the Arts Helsinki) are welcome to attend the conference program and the Rector’s reception free of charge. Student participation does not include materials and coffees. Please see registration (link above) for attendance!

Register by 31 October.

http://www.uta.fi/ltl/en/transmediality2016/index.html

BOOK LAUNCH PARTY: ”Digital Photography and Everyday Life. Empirical Studies on material visual practices.”

Welcome to the launch of ”Digital Photography and Everyday Life. Empirical Studies on material visual practices” co-edited by Edgar Gómez Cruz (DERC, RMIT, Australia) and Asko Lehmuskallio (COMET, University of Tampere, Finland).

26th of October 2016, from 19:00 to 20:00
Location: the Finnish Museum of Photography

The book explores the role that digital photography plays within everyday life. With contributors from ten different countries and backgrounds in a range of academic disciplines – including anthropology, media studies and visual culture – this collection takes a uniquely broad perspective on photography by situating the image-making process in wider discussions on the materiality and visuality of photographic practices and explores these through empirical case studies.

By focusing on material visual practices, the book presents a comprehensive overview of some of the main challenges digital photography is bringing to everyday life. It explores how the digitization of photography has a wide-reaching impact on the use of the medium, as well as on the kinds of images that can be produced and the ways in which camera technology is developed. The exploration goes beyond mere images to think about cameras, mediations and technologies as key elements in the development of visual digital cultures.

Digital Photography and Everyday Life will be of great interest to students and scholars of Photography, Contemporary Art, Visual Culture and Media Studies, as well as those studying Communication, Cultural Anthropology, and Science and Technology Studies.

Speakers:

– Edgar Gómez Cruz (Digital Ethnography Research Centre, RMIT Australia)
– Karin Becker (Prof. emerita, Dept of Media Studies, Stockholm University)
– Anssi Männistö (School of Communication, Media and Theatre, University of Tampere)
– Mikko Villi (Dept of Communication, University of Jyväskylä)
– Asko Lehmuskallio (School of Communication, Media and Theatre, University of Tampere)

Programme:

– Welcome (Elina Heikka, Finnish Museum of Photography)
– Short introduction by editors (Edgar Gómez Cruz & Asko Lehmuskallio)
– The book within a practice theoretical paradigm in visual studies (Karin Becker)
– Discussion

INVITATION: BookLaunchPDF.

FACEBOOK EVENT: Here.

Diaphanes symposium: BLIND SPOT, 21 OCT 2016

Diaphanes:
BLIND SPOT SYMPOSIUM
21st October 2016
Exhibition Laboratory
Merimiehenkatu 36, Helsinki

Diaphanes is an interdisciplinary network aimed at connecting researchers from diverse disciplines with an interest in visuality.

The Blind Spot symposium, the first event organised by Diaphanes, serves as a forum for discussing and developing ideas of visual research. The visually inflected title refers to the fact that aims, notions, and questions shared in multidisciplinary research settings often mark decisive differences in approach as well. When addressed well, blind spots of these kinds can, however, function as generators of genuinely new insights with relevance across discipline boundaries.


DOWNLOAD PROGRAMME: BLIND SPOT

CALL FOR PAPERS: Photographies journal: Critical Issues in Photography Today

International Conference – Call for Papers

Photographies journal: Critical Issues in Photography Today

Thursday 18 May & Friday 19 May, 2017
Venue: University of Westminster (Central London), UK

On the occasion of our tenth anniversary, photographies journal is holding a conference aiming to bring together thinkers and photographers in discussion on photography today. We invite papers to revisit our original agenda in the light of photography now:

photographies seeks to construct a new agenda for theorising photography as a heterogeneous medium that is changing in an ever more dynamic relation to all aspects of contemporary culture. photographies aims to further develop the history and theory of photography, considering new frameworks for thinking and addressing questions arising from the present context of technological, economic, political and cultural change.

We further invite you to make submissions that address:

  •   photography as a heterogeneous ‘medium’
  •   new frameworks for thinking photographic practices and industries of photography,
  •   examine contemporary uses and currencies of the photographic image within local/global contexts
  •   identify and developing (emergent) critical debates and practices
  •   reflect on critical theoretical issues in relation to photography education.

 

Each day will include discussions by members of the journal’s advisory board.

Conference Conveners:
Professor David Bate, University of Westminster
Professor Liz Wells, Plymouth University

Conference Administration
University of Westminster & Plymouth University

Papers

The call for 20-30 minute papers is now open.
We encourage photo researchers to submit a practice and/or research based abstract of no more than 350 words that relate to:

  •   New debates and developments in photographytheory;
  •   Speculative ideas and currencies in photography;
  •   Geographies of representation: borders, space, place and migration, movement, dislocation, memory;
  •   The legacy of photography theories (e.g. poststructuralism, Marxist theories) for photography writing and practice;
  •   The politics of representation as related to the fluidities of image circulation;
  •   Theory, criticism and photography education;
  •   Ways of teaching photography from global and contemporary perspectives;
  •   The rapid growth of photography books, journals, magazines, blogs and social media based criticism and practices

Practice-led creative-critical papers and innovative (2/3person) panelproposals are welcome.

Proposals should be sent to elizabeth.chapman-lane@plymouth.ac.uk
Deadline: 14th November 2016

All proposals will be peer reviewed.
We aim to let you know by mid-January whether your paper or presentation has been accepted. Proposals should include the following:

Title of paper or presentation Abstract (max 350 words)
Visual material (if practice-led – max 12 jpegs)
Your name
Institutional status (if applicable) and 20 word bio
Contact address and email

Full details of further deadlines, conference fees, speakers and associated events will be posted on: www.tandfonline.com/loi/rpho20#.V5nVlv72amQ

Please submit proposals to elizabeth.chapman-lane@plymouth.ac.uk, Plymouth University

DOWNLOAD: Call for Papers-photographies.

Visual Communication Design Doctor of Arts Seminar, 20 October presentations: Paulo Dziobczenski and Teemu Korpilahti

Welcome to Visual Communication Design Doctor of Arts Seminar
Thursday the 20th of October, at 15.00–17.00
Otaniemi, Miestentie 3, Room 430

We have two presentations:
Paulo Dziobczenski (DA student from Design Department):
“What is Sought from Graphic Designers?”
A First Thematic Analysis of Job Offers for Graphic Design Position in the United Kingdom

Teemu Korpilahti: “Visual Language: The Use of Icons in Graphical interfaces.”
http://www.iconresearch.net

“How do you like me now?” Using movies to investigate the socially biased brain. Doctor of Arts at Media Lab Seminar presentation by Mamdooh Afdile.