Full time, 18 months Post-Doc Position based at QUB, Belfast
Short description of the project:
Advancing Creative Circular Economies for Plastics via Technological-Social Transitions (ACCEPT Transitions)
Queens University Belfast
This is a unique multidisciplinary multi-scaled project that brings together polymer scientists, chemists, engineers, architects/designers, political scientists, psychologists, users and manufacturers – The architect/designer Post-doc will bring a design and curatorial approach to the process.
The overall project aims to integrate innovation and creative thinking across technological, policy, consumer behaviour and supply chain management domains on a focused region of the UK ie NI. It aims to develop ‘socio- technological transitions’ that facilitate a just transition to a circular economy for existing and future plastics, by conserving and creating sustainable energy and materials, developing new products and green jobs, and supporting economic growth in NI and the wider UK.
The Post-Doc role will involve working with the QUB polymer centre to design, develop and prototype a 3-D interlocking block using plastic waste to suit the principles of circular design. The role will involve collaborating with psychologists to test and collate manufacturer and consumer/user response to the resultant prototypes, and also being responsible for curating outcomes across the entire project into a public exhibition.
The role requires self- and project management skills, a creative approach, good documentation practices, digital imaging skills and a willingness to learn new software where necessary.
This is a unique chance to work with a diverse and supportive academic team alongside six other post-docs. Ruth Morrow (professor of Archtiecture) will be supporting the role as one of the project Co-I’s
Aalto University opens six fully funded positions for doctoral students in the area of interdisciplinary experience research.
Application deadline January 10, 2019.
Open positions for six doctoral students in experience research
Experiences extend to all areas of human life and make life meaningful. Consumers and organizations increasingly invest in experiences that enhance subjective pleasure and wellbeing. Design practices will advance from problem-solving to human-experience-driven, which requires a radical change in industry.
As part of the recent Profi4 funding from Academy of Finland, Aalto University profiles and invests in experience design. With this support and the Aalto Experience Platform, Aalto University has the ambition, infrastructure, and resources to become a leading institution in interdisciplinary experience research. The research supports the Creative Economy initiative of the Finnish Government. The aim is to understand experience as a socio-cultural and bodily phenomenon and to study its manifestations. This knowledge will allow development of new experience design approaches to make citizens, businesses and the society not only to work efficiently but to flourish.
To address the above goals, Aalto University opens six fully funded positions for skilled and passionate doctoral students in this area. The students will be based in different schools of Aalto, but will form a community for knowledge sharing and collaboration in the spirit of multidisciplinary research.
The deadline for applications is January 10, 2019. The positions are filled during spring 2019 and the funding is provided until the end of 2022. The salary is determined based on applicant’s experience and qualifications according to the salary system of Aalto University. The positions are located in the quickly developing Otaniemi campus of Aalto University in Espoo.
The research project of each doctoral thesis should address an intersection of two or more disciplines in one of the following topics. Two professors from two different disciplines will supervise the work, and the supervisors will be decided depending on the specific research topic proposed by the applicant. The main contact person will help you to locate the right professor for inquiries, please contact us well in advance before applying.
Submission of applications
Please follow the links above for the topic-specific submission instructions.
Please note that the final approval of the interdisciplinary doctoral students will follow the doctoral student admission schedules of each Aalto school, and the study right will be in force only after this process. We aim to start the work as soon as possible, most likely during the period of 1.3.-1.8.2019.
Aalto University reserves the right, for justified reasons, to leave the position open, to extend the application period, and to consider candidates who have not submitted applications during the application period.
Aalto University is a community of bold thinkers where science and art meet technology and business. We are committed to identifying and solving grand societal challenges and building an innovative future. Aalto has six schools with nearly 11 000 students and a staff of more than 4000, of which 400 are professors. Our campuses are located in Espoo and Helsinki, Finland.
This call originally posted here: https://experience.aalto.fi/phdcall/
The Faculty of Communication Sciences (COMS) at the University of Tampere invites applications for a fixed-term doctoral researcher’s position starting from November 1st, 2018, or soon thereafter. The length of the position will be decided separately (max. 3 years).
The position is part of the field of visual cultures / visual studies, and aims to support its work and visibility in Finland. The tasks include research on visual cultures according to the applicants own research plan, a survey of the development and use of visual technologies, as well as the organization of an annual seminar. The researcher may, upon agreement, use this material as part of her/his doctoral research.
A person appointed as a rdoctoral esearcher must hold a Master’s degree or higher, and be able to pursue scientific research independently. The appointed researcher should preferably have an understanding of visual culture studies, media studies, communication, cultural anthropology and/or sociology. The position requires good cooperation skills, willingness to travel, and good written and spoken communication skills in English.
The preliminary salary is based on level 2 (2005,71€) of the job-related salary element for teaching and research personnel in the salary system of the Finnish Universities. The basic salary will be supplemented with a performance increase up to 46,3 % based on the employee’s individual performance. The position carries a six-month trial period.
Please submit your application documents through the University’s online application system by 15:00 Finnish time on 24.10.2018 The application should be sent with a curriculum vitae, copies of the degree diplomas, a ca. 20 page example of the applicants scientific writing skills, and other materials considered relevant such as letters of recommendation. Applicants may be invited for an interview in person in Tampere or online.
For further information about the position, please contact:
Associate professor, Docent of Visual Cultures, Asko Lehmuskallio, firstname.lastname@example.org
For more information about the application process, please contact:
HR Specialist Marja Jussila, email@example.com
This post also in Finnish here: https://uta.rekrytointi.com/paikat/?jgid=1&jid=1218&o=A_RJ
Application deadline: July 1, 2018
Open Set is pleased to announce the Call for Applications for our new seven-month programme Fluid Rhythms: Urban Networks and Living Patterns. It’s a fresh round of Open Set, dedicated to exploring the potential of rhythm in the context of the Bijlmer, — one of the most vibrant neighborhoods in Amsterdam, once envisioned as an urban utopia and (in)famous for being called the “city of the future”. We are looking forward to a new collaboration with the scientific consortium Designing Rhythm for Social Resilience (IS Amsterdam, University of Amsterdam, Delft University of Technology, Amsterdam Institute for Advanced Metropolitan Solutions). Together we investigate rhythm-led practices as common ground for research and artistic practice.
The programme o ers three different modules to join: a Summer School (15 – 25 Aug 2018), a practice-based LAB trajectory (Oct 2018–Feb 2019), with the parallel track Seminar ‘Rhythmanalysis in Context’. The applications are open for individual modules, or for the combination for all three.
“The crowd is a body, the body is a crowd” — Henri Lefebvre
Life in the city both repeats itself, and is constantly changing. Situated in the Bijlmer, one of Amsterdam’s most vibrant neighborhoods, Open Set launches a new programme, dedicated to exploring the potential of rhythm in the city. The movement of bodies in space; financial transactions; the circulation of sounds, cells, and smells; changing social constructs that divide and connect people; the flow of microscopic substances—such looping patterns generate dynamic complex structures, or ‘rhythms’, that shift over time. In the words of Caroline Nevejan: “where there is rhythm, there is life”. Understanding and working with such dynamic complexities requires careful attunement to the interactions between social, imagined, and physical realms.
We are looking for artists, designers and scholars to join this international and interdisciplinary programme that investigates the potential of rhythm-led practices as common ground for research and artistic work. This means both providing tools to perceive rhythms, as well as tools to tap into their generative potential. Rhythms occur on multiple levels at the same time, in the macro-level structures of the city, within the cells of bodies, and in the interconnections between mind, emotion, brain and heartbeats. By investigating the intertwined patterns of change, a world of subtle complexity starts to reveal itself to us in how humans, machines, animals and microbes interact and coexist.
Artistic interventions can take on any form, whether they are sound, food or image-based formats, performances or digital applications—offering the opportunity to discover new, invisible or forgotten rhythms, to find the points of friction and blind spots and to transform and harness the power for social and ecological change. Eventually, working with rhythms is a way of synchronizing our efforts in acting and living together in a network society.
Line-up of experts
Nadia Al Issa / Christidi—artist & writer Heather Barnett—artist, researcher & educator
Cascoland—network of designers & artists Dash N’ Dem — design action group
Anton Kats — artist
Uta Eisenreich —artist
Satinder P. Gill—researcher
Pei-Ying Lin—designer & artist
Thought Collider—design & research duo Noam Toran—artist
Angelo Vermeulen—artist & researcher
more to be announced soon
Open applications 2018
— Summer School: Aug 15–25, 2018
Application deadline: July 1
Intensive programme of workshops and lectures.
— Open Set LAB: Practicing Rhythm: Oct 19, 2018–Feb 23, 2019
Application deadline: Aug 20
Five-month programme with practice-based sessions held every two weeks in the Bijlmer, aiming at developing individual projects. The parallel trajectories will end in sync, with a shared public presentation and conference.
— Seminar: Rhythmanalysis in Context: Aug 13, 2018–Feb 9, 2019
Application deadline: July 1
Series of presentations, discussions and theoretical texts readings from different disciplines, aiming at exploring the key concepts and multidisciplinary practices related to rhythmanalysis.
Dates: June 4 – September 21, 2018
ThoughtWorks, a global software consultancy with an arts residency based in New York City seeks an artist/technologist who works in their art practice with issues of robotics, and the kinesthetics of human-robotic interactions. The artist does not need to be an expert in robotics or programming, but it will be helpful if the artist has a basic understanding, some level of experience in robotics, and/or a network of consultants.
Robotics is usually associated with repetitive tasks, or machine automation. However, in the future, robotics will be integrated into aspects of human love, war, sex, caretaking and emotion, and more. This ThoughtWorks Arts Open Call looks for artists who are actively exploring these realms to produce surprising twists and turns in the non-verbal dance between code, gears, blood, flesh and inspiration. Although language is an important aspect to this field, we are more interested in non-verbal cues and responses.
This open call is supported by our partners at the Consortium for Research & Robotics.
ThoughtWorks will provide a work space, facilitation in midtown Manhattan, and access to guides and consultants, as well as appropriate resources as the project progresses. It does not provide housing or work visas, and is for the artist only. It does not include family members.
This sixteen week residency comes with a modest stipend of $11,000, and assistance, if necessary in supplying a letter of intent to any external funding agencies that might facilitate with the residency. Individuals who need to apply for visas should be particularly sensitive to recent issues surrounding work visas and consult with their own countries authorities for assistance in crafting their applications to visit New York.
Applicants must submit a proposal by email to firstname.lastname@example.org by the application deadline of March 26, 2018. Your proposal should tell us who you are, what your project idea is, and how you plan to implement it. It should also include the skills you have, and the skills and equipment you require for the project. Where there are skills required which you do not have or cannot supply, please let us know. We will contact applicants with final selection information by April 16th, 2018.
Send applications to email@example.com by midnight March 26th, 2018.
Call for Proposals
RF 2018: Hybrid Labs Symposium
May 30 – June 1, 2018
Aalto University, Espoo, Finland
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Deadline – extended to 5 March, 2018
APPLY NOW: https://easychair.org/conferences/?conf=hls2018
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Hybrid Labs is the third edition of Renewable Futures conference that aims to challenge the future of knowledge creation through art and science. The HYBRID LABS will take place from May 30 to June 1, 2018 at Aalto University in Espoo, Finland, in the context of Aalto Festival. Celebrating 50 years of Leonardo journal and community, the HYBRID LABS conference will look back into the history of art and science collaboration, with an intent to reconsider and envision the future of hybrid laboratories – where scientific research and artistic practice meet and interact.
Our three-day media event medley includes:
May 30, 2018 – Exhibition Opening
Opening Programme features Oslofjord Ecologies Extended exhibition opening. The exhibition is based on results of artistic research processes following common workshops, field trips and earlier exhibitions and performances linked to the Creative Europe project Renewable Futures and the Nordic collaboration Hybrid Labs. Curated by Kristin Bergaust on behalf of Art in Society research group at HiOA, this cross-disciplinary exhibition includes contributions from visual arts, art and science, theatre, performance, design, visual culture, art didactics and urban research.
May 31, 2018 – Renewable Futures Conference
Renewable Futures conference will begin with keynotes addressing HYBRID LABS topic from different broader perspectives. Parallel tracks of presentations will discuss the future of HYBRID LABS, art and science collaboration, focusing on five main topics: hybrid practices (in art and science), hybrid storytelling, hybrid fabrication, hybrid reality, and hybrid economies.
June 1, 2018 – Collaboratory Day, Celebrating Leonardo’s 50th Anniversary
Collaboratory day and Leonardo birthday celebration includes guided tours of several of the Otaniemi campus laboratories and a workshop on collaboratory methods during the morning followed by afternoon keynote, sauna, and dinner. The topic of the keynote will be about Arts and Science collaboration and planetary healing. Also throughout the Lab tours, we want to stress the heritage aspects of the spaces, the campus and innovative aspects of art and science collaboration.
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- Roger MALINA / Executive Editor, Leonardo Publications at M.I.T Press / Professor, the University of Texas at Dallas.
- Nina CZEGLEDY / Artist, Curator and Educator on Art, Science and Technology / Leonardo Community, Toronto, Canada
- + others – to be confirmed
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Early Bird fee until 15 April, 2018.
Early Bird Full Price: 68 EUR (normal price 86 eur).
Early Bird Student Price: 42 EUR (normal student price 56 eur).
Included: Coffee and Snacks, Sauna and Dinner (Lunch is not included).
REGISTER AT: https://eage.aalto.fi/?f/en/HLS2018
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CALL FOR PROPOSALS
We welcome submissions by academic researchers, designers, artists, scientists, students, social entrepreneurs, visionaries and other creative thinkers and practitioners to submit their proposals related to the topics (below).
List of Topics
- hybrid practices – combining art and science, technology and ecology, digital and biological in research and education
- hybrid storytelling – heritage and storytelling for linking virtual with the material domain of everyday life
- hybrid fabrication – innovative maker trends in art and design practices
- hybrid reality – interventions into the uncritical excitement about virtual reality, artificial intelligence and machine learning
- hybrid economies – artistic practices in-between sharing and selling, networking and fabricating
The proposals could be submitted for the following forms of presentations:
- academic papers (full / short)
- artistic presentations (performative lectures / performances / participatory sessions)
- poster sessions
The conference proposals should include:
- Title and abstract (250 words max – text fields ‘Title’ and ‘Abstract’), mandatory;
- five to six keywords (text field ‘Keywords’), mandatory;
- short biography: 100 words (text field ‘Comments’), mandatory;
- you can also upload a file containing any additional relevant information, optional;
- please indicate in your abstract if you want to submit pictures or videos (max 100Mb) as part of your final submission.
Deadline for Conference Proposals (Abstracts) – February 19, 2018
Notifications of acceptance – March 2, 2018
APPLY NOW: https://easychair.org/conferences/?conf=hls2018
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Conference Submissions – for Selected Abstracts:
After receiving the notifications, the selected participants will be asked to submit their Full/Short Papers (working version – for pre-review), Posters (layout) and Artistic Presentations (Slides) by May 14, 2018.
1. Full/Short Paper Submission:
If your abstract for full/short paper will be selected, you will be asked to submit full/short paper for pre-review before the conference (working version). All papers must be original and not simultaneously submitted to another journal or conference:
– Full papers are up to 6000 words long including references and the presenter must prepare 20+10 minutes presentation.
– Short papers are up to 3000 words long including references and the presenter must prepare 10+5 minutes presentation.
2. Artistic Presentations:
Presentations should be prepared as powerpoint or keynote slides.
Posters should be made in A1 format, and submitted as PDF.
Shortly after the conference, the selected participants will be asked to submit their final version of the paper for peer-review. The submitted papers will undergo the double-blind peer-review process to be published in Acoustic Space journal series (Vol. 18, 2019).
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When submitting your final papers, you should keep in mind the following:
- Your name. Delete your name from the first page or where ever it is mentioned in the paper.
- Acknowledgements. Please delete or mark “Acknowledgements removed”, if you have acknowledgements or thanks to those who helped you with the paper.
- Document properties. Please don’t send word or similar documents, because it might include personal information in the document (for example in Word, go to file à properties).
- Send your paper in pdf-format.
- Self-citation. Please anonymize your references or citations to your previous works.
- Images and Videos. Please hide all such information that can reveal you in videos or images you are sending along with your paper.
More info about the Acoustic Space, peer-reviewed journal series:
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Conference website http://hybridlabs.aalto.fi
Submission link: https://easychair.org/conferences/?conf=hls2018
Proposal submission deadline February 19, 2018
Notifications of acceptance March 4, 2018
Deadline for selected abstracts May 14, 2018
REGISTRATION TO CONFERENCE: https://eage.aalto.fi/?f/en/HLS2018
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Prof. Lily Díaz
The Local Conference Organisational Board
Prof. Lily DIAZ-KOMMONEN / Head of Research Department of Media, Aalto University, School of Arts, Design and Architecture, Espoo, Finland
Prof. Rasa SMITE / Liepaja University / RIXC / Riga, Latvia
Prof. Kristin BERGAUST / Oslo and Akershus University, Norway
Nina CZEGLEDY, Leonardo Community, Toronto, Canada
Juhani TENHUNEN / Aalto Studios, Espoo, Finland
Saara MÄNTYLÄ / Department of Media, Aalto University, Espoo, Finland.
The International Scientific Board of Renewable Futures Conference
Prof. Lev MANOVICH / Cultural Analytics Lab / The Graduate Center, City University of New York, USA
Ph.D. Jussi PARIKKA / Winchester School of Art / University of Southampton / UK
Ph.D. Geoff COX / School of Communication and Culture, Aarhus University, Denmark
Assoc. Prof. Laura BELOFF / IT University, Copenhagen / Finnish Bioart Society, Helsinki, Finland
Prof. Ursula DAMM / Bauhaus University Weimar, Germany
Dr. Vytautas MICHELKEVICIUS / Nida Art Colony, Vilnius Academy of Arts, Lithuania
Ph.D. Margrét Elísabet ÓLAFSDÓTTIR / Art Education at the University of Akureyri, Iceland
Assoc. Prof. Ilva SKULTE / Riga Stradins University, Latvia
Dr. art. Piibe PIIRMA / Tallinn University / Estonian Academy of Arts, Tallinn, Estonia
Ph. D. Raivo KELOMEES / Estonian Academy of Arts, Tallinn, Estonia
Prof. Miško ŠUVAKOVIĆ / Faculty for Media and Communication, University Singidunum, Belgrade, Serbia
Dr. Ellen PEARLMAN / Parsons / New School University, New York, USA
Ph.D. Chris HALES / Assist. Prof. and Study Director of New Media Art Doctoral Programe, Liepaja University, Liepaja, Latvia
Raphael KIM / PhD Student, Media and Arts Technology, Queen Mary University London, UK
Aalto University, Otakaari 1 x, Espoo Finland
firstname.lastname@example.org / email@example.com
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Please note that this call was updated after its first publication.
venue and date: University of Tampere, Finland, 13–15 June 2018
LILI18 targets the social, affective and experimental in literature, and explores literary forms of mediation in everyday life. How are literary conventions and devices, both narrative and poetic, employed in social and cultural meaning-making? We investigate the use of stories and metaphors, affective tone and emotion-expressions, as well as literary experimenting, in literature and social life. This approach will allow literary scholarship to regain its focus on literary works and literariness, and open up the boundaries that in many research traditions have isolated artworks from the world of everyday life and routine textual practices. These boundaries are medial in nature, which means that the traffic between art and the everyday is mediated in the form of social, affective and experimental uses of narrative and poetic modes. We are consistently exposed to media platforms, both old and new, that sustain and challenge our perceptions of the world, and employ similar narrative and poetic, as well as rhetorical and aesthetic, means across the board. In this way, we are presented with medial representations that engage us both affectively and in terms of cultural knowledge. In effect, private experiences are mediated as a public process we may have little control over.
Confirmed keynote speakers:
· Prof. Amy Shuman, Department of English (folklore, narrative, and critical theory), The Ohio State University, US
· Prof. Winfried Menninghaus, Director of Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany
· Dr. Jan-Noël Thon, Department of Culture, Film and Media, University of Nottingham, UK
Topics may address but are not limited to (listed alphabetically):
· affects, emotion-expressions and effects in poetry and narrative
· experience and affectivity in mediation / demediation / remediation
· experiencing the experimental: affects, feelings, politics
· experimenting with the print medium: uses and misuses
· means of representing vicarious narrative experience
· medialities, modalities, and the concept of medium-specificity
· new media platforms and affective phenomena (e.g. virality)
· relationship between form and ideology, poetics and rhetorics
· representation of mind, emotions and consciousness in narrative and poetic environments
· representation of the everyday and everyday affects
· shifts between narrative media, intermedial blends and allusions
· situational affects and emotional scripts in life and literature
· traffic of literary modes and means between artistic and everyday storytelling
· types of narrative and narrativity in literature and new media
The length of your proposal for a 20-minute presentation should not exceed 300 words.
Add a bio note (max. 150 words) that includes your affiliation and email address.
Name your file [firstname lastname] and submit it as a pdf.
If you wish to propose a panel of 3–4 papers, include a description of the panel (max. 300 words), papers (max. 200 words each), and bio notes (max. 150 words each).
Submit your proposal at https://www.lyyti.fi/reg/lili2018_callforpapers by 15 Nov 2017.
Decisions on all proposals will be made by 15 Dec 2017.
Conference website: https://events.uta.fi/lili2018/
The Academy of Finland research project “Literary in Life”
25th-28th June 2018
The EKSIG track aims to examine collaboration within design research teams that comprise members with diverse disciplinary expertise. This is to understand how individual experiential knowledge, or knowledge gained by practice, is shared, how collective experiential knowledge is accumulated and communicated in and through collaboration, and how it is embodied in the outputs and may be traced back to the origin of the practice. The track also aims to illuminate making as the action of change in which matter and materials are transformed through collaboration, interaction or negotiation between the collaborative team and their material environment. Making within collaborations occurs in multiple forms, on many levels and in different contexts and, through making, meaning is made, communicated and shared. Learning is a process of change where existing knowledge and experience of a certain topic is reviewed, added or transformed. The track will explore how learning is transferred and articulated within multidisciplinary teams. Starting with an understanding of making and collaborative learning, it will discuss how we can create a greater awareness of our responsibilities as designers, researchers, consumers, teachers and members of society.
We welcome papers which exemplify interdisciplinarity through worked examples, and from researchers and practitioners whose work is centred on the experiential knowledge of collaborative work in interdisciplinary projects. We are interested in building a rich collection of case studies that may contribute to a more systematic approach for studying and integrating experiential knowledge into design practice and research. Submissions should focus on peer-level collaboration, illuminating its usefulness for the partners involved, and highlight the relationships built within the collaboration, as well as the approaches used and the new knowledge gained and transferred within the team.
Abrahamson, D. & Chase, K. (2015). Interfacing Practices: Domain Theory Emerges via Collaborative Reflection. Reflective Practice: International and Multidisciplinary Perspectives, 16(3): 372–389. DOI: 10.1080/14623943.2015.1052384.
Bhömer, M., Tomico, O., Kleinsmann, M., Kuusk, K. & Wensveen, S. (2012). Designing Smart Textile Services Through Value Networks, Team Mental Models and Shared Ownership. In Proceedings of the Third Service Design and Service Innovation Conference (pp. 53–63). Espoo: Laurea University of Applied Sciences.
Bowen, S., Durrant, A., Nissen, B., Bowers, J. & Wright, P. (2016). The Value of Designers’ Creative Practice within Complex Collaborations. Design Studies, 46, 174-198. DOI: 10.1016/j.destud.2016.06.001.
Ingold, T. (2013). Making: Anthropology, Archaeology, Art and Architecture. London: Routledge.
Mikkonen, J. & Pouta, E. (2016). Flexible Wire-Component for Weaving Electronic Textiles. In Proceedings of 2016 IEEE 66th Electronic Components and Technology Conference (pp. 1656–1663). DOI 10.1109/ECTC.2016.180.
Nimkulrat, N. & Matthews, J. (forthcoming 2017). Ways of Being Strands: Cross-Disciplinary Collaboration Using Craft and Mathematics. Design Issues, 33(4).
Rutkowska, J., Lamas, D., Visser, F. S., Wodyk, Z., & Bańka, O. (2017). Shaping Loyalty: Experiences from Design Research Practice. Interactions, 24(3), 60–65.
– Your paper will need to be between 5000 and 6000 words (maximum) in length excluding abstract and references using formatting applied in the template (see attached).
– All submissions must be in the English language.
– The online submission system will be open from 5th September 2017 and full papers must be submitted by midnight on 6th November 2017.
– Submission system opens: 5th September 2017
– Deadline for full papers: 6th November 2017
– Notification of accepted papers: 8th February 2018
– Deadline for full paper revisions: 6th March 2018
– Final acceptance of revised papers: 27th March 2018
– Conference Dates: 25th-28th June 2018
Track Chair: Nithikul Nimkulrat, Estonian Academy of Arts, Estonia
Abigail Durrant, Northumbria University, UK
Camilla Groth, University College of Southeast Norway, Norway
Marte S. Gulliksen, University College of Southeast Norway, Norway
Kristi Kuusk, Estonian Academy of Arts, Estonia
David Lamas, Tallinn University, Estonia
Janette Matthews, Loughborough University, UK
Jussi Mikkonen, Aalto University, Finland
Oscar Tomico, Elisava, Barcelona School of Design and Engineering, Spain and Eindhoven University of Technology, The Netherlands
Stephan Wensveen, Eindhoven University of Technology, The Netherlands
Digital Humanities in the Nordic Countries calls for submissions for its 2018 conference in Helsinki, Finland, 7–9 March 2018.
In 2018, the conference seeks to extend the scope of digital humanities research covered, both into new areas, as well as beyond the Nordic and Baltic countries. In pursuit of this, in addition to the abstracts familiar from humanities traditions, we also adopt a call for publication ready texts as is the tradition in computer science conferences. Therefore, we accept the following types of submissions:
- Publication ready texts of length appropriate to the topic. Accepted papers will be submitted to the CEUR-WS proceedings series for publication in a citable form. Layout for the papers is not absolutely mandated, but we suggest you use the Springer LNCS templates to ensure a uniform look for the proceedings.
– Long paper: 8-12 pages, presented in 20 min plus 10 min for Q&A
– Short paper: 4-8 pages, presented in 10 min plus 5 min for Q&A
– Poster/demo: 2-4 pages, presented as an A1 academic poster in a poster session.
- Abstracts of a maximum of 2000 words. Proposals are expected to indicate a preference between a) long, b) short, or c) poster/demo format for presentation. Approved abstracts will be published in a book of abstracts on the conference website.
Submissions to the conference are now open at ConfTool!
The call for proposals opened on 28 August 2017, and the deadline for submitting proposals is 25 October 2017. Presenters will be notified of acceptance by 8 January 2018. For papers accepted into the citable proceedings, there is an additional deadline of 5 February 2018 for producing a final version of your paper that takes into account the comments made by the reviewers.
This year, the conference welcomes in particular work related to the following themes:
While the number of researchers describing themselves as digital historians is increasing, computational approaches to history have rarely captured the attention of those without innate interest in digital humanities. To address this, we particularly invite presentations of historical research whose use of digital methods advances the overall methodological basis of the field.
Libraries, galleries, archives and museums are making vast amounts of cultural heritage openly digitally available. However, tapping into these resources for research requires cultivating co-operation and trust between scholars and heritage institutions, due to the cultural, institutional, legal and technical boundaries crossed. We invite proposals describing such co-operation – examples of great resources for cultural heritage scholarship, of problems solved using such data, as well as e.g. intellectual property rights issues.
Humanities perspectives on games are an established part of the game studies community. Yet their relationship with digital humanities remains undefined. Digitality and games, digital methods and games, games as digital methods, and so on are all areas available for research. We invite proposals that address high-level game concepts like “fun”, “immersion”, “design”, “interactivity”, etc positioned as points of contact with the digital.
We also invite proposals in the broad category of ”Future”. Accepted proposals will still fit in the overall context of the conference and highlight new perspectives to the digital humanities. Submissions may range from applications of data science to humanities research to work on human-machine interaction and ecological digital humanities. We also welcome reflections on the future of the digital humanities, as well as the societal impact of the humanities.
Finally, the overarching theme this year is Open Science. This pragmatic concept emphasises the role of transparent and reproducible research practices, open dissemination of results, and new forms of collaboration, all greatly facilitated by digitalisation. All proposals are invited to reflect on the benefits, challenges, and prospects of open science for their own research.
Call for workshops/panels and tutorials
In addition to individual papers, the conference calls for interested parties to submit proposals for workshops/panels and tutorial sessions to be held preceding the conference. Workshops/panels gather together participants around a particular subtopic, while tutorials present a useful tool or method of interest to the digital humanities community. Either can take the form of either a half or a full day session, and they generally take place the day prior to the conference.
Proposals should include the session format, title, and a short description of its topic (max 2000 words) as well as the contact information of the person/s responsible. Proposals should also include the following: intended audience, approximate number of participants, and any special technical requirements.