Category Archives: Event

Doctoral Seminar // 24.09.2020

New Media / Doctoral Seminar (DOM-L0006)

Welcome to the first New Media Doctoral Seminar of the semester!

Thursday // 24.09.2020

16:30-20:00

Join us in Zoom

https://aalto.zoom.us/j/61323477009

We start by having a catch up with the M’Labbers between 16:30-17:00

The presentations are OPEN TO EVERYONE and will start at 17:00

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Mediated by Professor Lily Diaz-Kommonen we will have two great presentations + Q&A discussion after the presentations!

Massimo Menichinelli (Doctoral Candidate / Aalto University / School of Arts, Design and Architecture)

Open and collaborative design processes. Meta-Design, ontologies and platforms within the Maker Movement

ABSTRACT

The emergence of the Maker Movement has taken place in the context of a design practice and research that is now open, peer-to-peer, diffuse, distributed, decentralized; activity-based; meta-designed; ontologically-defined; locally-bounded but globally-networked and community-centered. For many years the author participated and worked in the Maker Movement, with a special focus on its usage of digital platforms and digital fabrication tools for collaboratively designing and manufacturing digital and physical artifacts as Open Design projects. The author’s main focus in practice and research as a meta-designer was in understanding how can participants in distributed systems collaboratively work together through tools and platforms for the designing and managing of collaborative processes. The main research question of this dissertation is: How can we support and integrate the research and practice of meta-designers in analyzing, designing and sharing open and collaborative design and making processes within open, peer-to-peer and distributed systems?

The focus evolved and changed with three main phases: from facilitating collaborative design processes with 1) guidelines for a generic design approach, process and tools, to the use of 2) design tools and workshops that encode the methodology to developing 3) a digital ontology and the related digital platform. In the latter, the ontology for describing, documenting, sharing and designing collaborative design processes was developed as part of a broader conceptual framework, OpenMetaDesign, that builds the ontology on top of concepts describing design processes, and encodes it in a digital platform. The role of the ontology is to support the practice and research with a Research through Design approach that works not just on understanding the practice but also informing it, navigating it and continuously redesigning it. This dissertation is an exploration of the possible role, practice and profile of meta-designers that work in facilitating distributed, open and collaborative design and making processes in the Maker Movement. As a result, it provides insights on the practice and artifacts of the author and also a strategy and tools for applying the same exploration to other meta-designers. Following a Research through Design framework for bridging practice and research, the dissertation redefines Meta-Design in the Maker Movement as the design of digital ontologies of design processes as design material. Ultimately, the practice of designing a Metadata Ontology for Ontological Design through the design of bits (digital environments) and atoms (physical artifacts) with and for Open, Peer-to-Peer, Diffuse, Distributed and Decentralized Systems. Finally, it redefines meta-designers as designers, facilitators, participants, developers and researchers embedded in social networks that define their activities, profiles and boundaries for the ontologies they design.

 

BIO

Massimo Menichinelli is a designer and researcher who works on open, collaborative, and co-design projects and the systems that enable them since 2005. Massimo has published several books and scientific articles about Fab Labs, the Maker movement, Open Design and collaborative design processes; furthermore, he has given lectures and workshops in various countries including Italy, Spain, Finland, Germany, United Kingdom, Mexico, Colombia, South Korea and Singapore. He worked on the development of several Fab Labs including the Aalto Fab Lab (Helsinki), the MUSE Fab Lab (Trento) and Opendot (Milan), and has facilitated more while working as a Director at Make In Italy Italian Fablab & Makers CDB Foundation where he researched and facilitated Fab Labs and Makers in Italy. He lectured on Digital Fabrication and Open Design at Aalto University, SUPSI (Lugano) and at the Fab Academy edition at WeMake and Opendot (Milan). He also worked as a project manager for research projects at IAAC | Fab City Research Lab / Fab Lab Barcelona, especially in the MAKE-IT, SISCODE and DSISCALE Horizon 2020 European projects, as coordinator of the DDMP – Distributed Design Market Platform project of Creative Europe and as project manager of Fablabs.io, the official and open source platform for the global Fab Lab Network. He currently is Research Fellow at RMIT University – Royal Melbourne Institute of Technology, in its European Hub in Barcelona, managing the Horizon 2020 MSCA-RISE project OpenInnoTrain.

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André Rocha(Adjunct Professor at the Higher School of Education from the Polytechnic of Lisbon)

ABSTRACT

GROUU is a Research through Design process aimed at understanding the role of Tacit Knowledge (TK) in an Open Source Agriculture ecosystem. To do so, different iterations of the same system – GROUU – will be introduced to different real agricultural contexts and communities.

‌GROUU is also an Open Source modular system formed by a set of sensors and actuators. GROUU automates some agricultural tasks, like fertilizing and watering, to optimize it by recognizing success patterns from Sensor and User-Generated Data. Optimization is directly related to the amount and diversity of data and users.

This Research project explores the hypothetical formation of Digitized TK through a diverse implementation of Open Source Agriculture, and by assuming that some of the sensor data recorded throughout the process is formed by practical actions of the Farmer over its surrounding environment (the farm) and therefore by TK.

The project is divided into three stages:

  • The first focuses on GROUU’s adoption by diverse Users and tries to understand it by testing different dissemination strategies.
  • Then, it will address the engagement of users in the design process. Open Source is fundamental, but what about the engagement of the actual Users: Apart from Makers and motivated designers, how can Farmers and Farming communities engage in developing Open Agriculture?

The last step is about the possible implications and applications of TK in Open Agriculture:

    • On a technical level, to digitize and integrate it into Open Source Agriculture.
    • On a design level, to generate new Open Data streams between different agricultural contexts and communities:

Can Agricultural TK become Open Agricultural Knowledge? So, therefore, a Common?

Bio

André Rocha is Adjunct Professor at the Higher School of Education from the Polytechnic of Lisbon.

André ran his own design office (EVOL/LEVO) between 2003 and 2017 when he decided to dive into full-time design education and research.As a senior designer, André has the privilege of working in a wide variety of contexts.This mixture turned him into a maker, enchanted by creative and productive processes.His research also tries to blend these, by continually looking at expanding design into/on fields such as informal education (fabschools.pt) or agriculture (grouu.cc).

The later – GROUU – being the project through which he pursues his PhD at Nova University of Lisbon / University of Porto Digital Media Program.He recently (2019) graduated from Fab Academy, an intensive 6-month digital manufacturing and rapid prototyping program led by Neil Gershenfeld at MIT’s Center for Bits and Atoms (CBA).

At the Higher School of Education from the Polytechnic of Lisbon, where he teaches Product and Interaction Design, he co-manages the local Fablab (Fablab Benfica), coordinates its participation in the Distributed Design Platform, and is in charge of Maker Faire Lisbon.

Lastly, as an Open Culture and Design activist, he co-founded DAR – a non-profit association – and is currently Open Design and Tech Lead at the Creative Commons Portuguese Chapter. At DAR, he was director, manager at the Fablab and ran a one hundred episodes interviews radio show/podcast about Open Culture. He is an active collaborator of the Creative Commons Global Network and an organizing committee member of the CC Global Summit since 2016.

ELLIPSIS- Media Lab Exhibition

Participants in the Systems of Representation: Culture Laboratory (DOM-E5003) at the Department of Media, Media Lab have created an exhibition named Ellipsis that is on display at the Harald Herlin Learning Centre, Otaniementie 9, 02150 Espoo, from 15 May – 6 June 2019. The exhibition, that is a collaboration with the Aalto University Archives, depicts speculative design interventions related to three case studies presented in the course: Time and its Representation in Narrative, Exhibiting the Body, and Space in Digital Media.

Five works are exhibited. These include: Marko Alastalo, A Dress as an Interactive Artwork; Teemu Korpilahti, The Things that Make Us Remember; Ning Feng Zhang, Fleeting Moments that Never Exist; Jennifer Greb, Dekorativ Vorbilder and Aino-Nina Saarikoski, Herääminen-Awakening.

How is the representation of time constructed differently in genres and narratives across different cultures and epochs? What are some of the parameters involved when exhibiting the body? How can we use media to augment our notion of space in an exhibition? Aside from historical documentation what other roles do archives fulfill in art and design productions? These are some of the topics pondered in the works presented.

Opening hours are: Monday through Friday 8:00 AM to 21:00 PM; Saturdays 10:00-15:00; Closed on Sundays.

Media Lab Doctoral Seminar; Environmental Media: a study on the mediation of technology in ecological artistic practices.

On the 25.04.19, at 16.30-19:30, led by Professor Lily Díaz in Learning Centre, JUHO the doctoral student Juan Duarte will present his on-going research titled:

Environmental Media: a study on the mediation of technology in ecological artistic practices

Abstract:

The research aims to work around technologies on location, that are used on open environmental data sensing for intermedia art context. The production of devices aims follow a usability process of Interaction Design focusing on principles of sustainability and maker culture. As an outcome of the research, I expect to collect field experiences active communities Accompanying study cases, the research wants to question the role of media technologies in the field of environmental arts to support the development of both art and science collaborations.

The existing scientific proof of planetary issues such as global warming still seems trivial to an important sector of the population. Thus a data platform for environmentalist art could support scientific research by bringing attention to environmental degradation. Artistic research could help reconcile society with a planetary vision through citizen initiatives that empower us with tools that help with making decisions, such as monitoring pollution levels or mapping relations between technological footprints, and planetary cycles.

Bio:

Mexican-born media artist Juan Duarte Regino works on interaction as a tool for generative art experiments. He is part of Pixelache – art and activist group based in Helsinki. Currently a doctoral student in New Media in Aalto University in Helsinki, Finland, he reflects on the information society paradigm from the point of view of his background in media art, with a special focus on open source technologies developed in DIY communities and grassroots initiatives. Duarte’s work has been presented in IAMAS, Spiral Gallery, Ljudmila, Radio, and TV Museum of Lahti, Centre for Contemporary Art Ujazdowski Castle, Mänttä Art, Generate! Festival, CTM Festival, Lofoten Sound Art Symposium.

His background is in Audiovisual Communication (Bachelor of Arts), and New Media Arts (Master of Arts). His research is around technologies on location, to be used for open environmental data sensing in an intermedia context. The sensing devices developed follow an Interaction Design process focusing on principles of sustainability and maker culture. The outcome of the research (consisting of workshops, lectures exhibitions, and live media performances) expects to collect field experiences from a community of creators, specialized on potentialities of locative media, in order to serve environmental queries through artistic and scientific procedures.

Guest speaker: Martin Howse

Abstract:

Symbiotic ur-networks of silent fungal and root chatter and earth vibration, named chemical gradients tasted by rooty and human tongues fruit forest-wide in fairy rings, rising up in form and outgrowing Jodrell bank and Arecibo, outclassing them unknown in bringing down the stars to Earth.Martin Howse, 2017

Noting simple parallels between the scaled formations of radio telescope arrays, and the arrayed forms of certain mushroom bodies such as those of Amanita Muscaria, Martin Howse aims to further explore this spored coincidence of cosmos and micro-cosmos, initiating the first forest Radio Mycelium Array.

Conventional radio telescope arrays make use of a technique called interferometry to combine signals received on multiple smaller antennas, creating a larger, more precise view of the electromagnetic Universe. In the case of the RMA, the arrayed Amanita mushrooms act as receiving antennas for deep space signals, to be combined in underground mycelial electrochemical signals. Star dust and mushroom spore combine imaginatively, with both technologies provoking potentially meaningful earth and cosmic signals.

Radio Mycelium Array (RMA) is exhibited both as a speculative prototype (mushroom bodies connected to a digital interferometer device and display), and as documentation of “working” forest studies with similar equipment. Audio recordings of received signals are also available (inscribed on vinyl in sleeves printed with copper spore patterns from the Amanita mushrooms, the antennae).

Bio

Martin Howse’s work spans the fields of computing programming, writing, education and performance. A true explorer of urban scapes, his ideas consider our intimate and embodied relationship with our environment. His work has been received several awards (including first prize at Art & Artificial Life competition VIDA 8.0, 2005) and he has curated and participated in several seminars and performances (ICA, London, Transmediale, Berlin, Tuned City, Berlin & Brussels). In 2006 Martin co-founded xxxxx, organising one large-scale conference and concert series in London (xxxxx) and publishing the acclaimed xxxxx [reader]. From 2007 to 2009 he has hosted a regular workshop, micro-residency and salon series in Berlin, most recently under the banner of _____-micro-research. More recently micro-research has been established as a mobile platform for psychogeophysical research with ongoing projects in London, Peenemuende, Lyme Regis and Berlin. For the last ten years he has collaborated on numerous open-laboratory style projects and performed, published, lectured and exhibited worldwide.

http://1010.co.uk/org

Thermocultures of Memory by D.A Samir Bhowmik 

W E L C O M E  E V E R Y O N E
T O  T H E  L E C T U R E   

Thermocultures of Memory by D.A Samir Bhowmik 

12.04.2019 16.00-17.30 at Aalto Learning Center // Seminar room JUHO (1st floor room 126) 

Memory institutions depend on heating-cooling infrastructures for the long-term preservation and mediation of cultural heritage. The energy-intensive thermal regulation of object and data storage environments is guided by the need to ward off decay and to safeguard computer hardware and operations. Despite the tremendous dependence of memory institutions on thermal regulation, temperature has been regarded as merely metaphorical in media studies (Sterne & Mulvin, 2014; Starosielski, 2014). Digital studies in cultural heritage (Cameron and Kenderdine, 2007) have also bypassed the topic of temperature and humidity as it affects the representation of cultural memory. In fact, there hardly exists any literature on the evolution of thermal cultures of memory institutions even though they might be considered as thermally-dependent media institutions.

This talk explores how thermal infrastructures are entangled with the preservation of cultural heritage in order to show how the latter is linked to the expanding use of energy and the embodied energy of natural resources. Understanding the energetic and material impacts of thermal infrastructures and practices in museums and archives demands us to ask ourselves: What are the origins of temperature control and humidity in memory institutions? How did the superimposition of the thermal cultures of the factory affect the practices of the museum? In addressing these questions, my goal is not only to direct attention to the materialities of thermal practices but also to provoke an ecological approach for the future of the memory institution. Could a re-evaluation of thermal infrastructures and practices shape an ecological institution?

Bio

Samir Bhowmik’s multi-disciplinary art practice deals with contemporary issues in Media, Memory and the Environment. His research at Aalto Media Lab and the Humboldt-Universitat zu Berlin examines the architectural, infrastructural and energetic entanglements of Cultural Memory. Samir graduated as a Doctor of Arts in New Media from Aalto University, Finland, and holds a Master of Architecture from the University of Maryland, United States. Samir’s current artistic research project “IMAGINARY NATURES: Extractive Media & the Cultural Memory of Environmental Change” is funded by the Kone Foundation (2019-22). His latest infrastructural performance art project ‘Memory Machines’ opened at the Helsinki Central Library in January 2019, as part of the Library’s Other Intelligences project organized by the Finnish Cultural Institute of New York.

 

 

OpenGLAM @Aalto

OpenGLAM @Aalto
Thursday 28.3 at 15:00-17:00 at Aalto Learning Centre, K. floor

Welcome to a meetup about creative reuse of open heritage materials. Get to know the people behind the OpenGLAM community and Open Knowledge Finland and learn about current projects concerning creative use of archives.

The aim of this meetup is to gather Galleries, Libraries, Archives and Museums (GLAMs) and connect them with heritage lovers, students, professionals and creative people, both in and outside Aalto University and the GLAM community.

More info: https://www.facebook.com/events/301780357178637/

Preliminary program:

15:00 Presentation of Open Knowledge Finland and OpenGLAM.
Teemu Ropponen, Executive Director, Open Knowledge Finland and Tuomas Nolvi, Planner, Yle Archives

15:20 The making of a massive open online course about Open Digital Cultural Heritage.
Maija Paavolainen, Information Specialist, Helsinki University

15:40 On Returning. The making of a workshop for Post-Digital Archives.
Ksenia Kaverina, Curator for Global Outreach, Aalto University

16:00 Visual Resources Centre as a guide on how to find and how to use visual material.
Marika Sarvilahti, Information Specialist, VRC + Aalto Archives

16:15 News from the field (Open stage)
– Aalto Archives and mass digitization, 5 million pages and 150 000 images in one year.
Tove Ørsted, Photo Archivist, Aalto Archives
– OpenGLAM, next steps. Discussions and networking.

Robert’s Coffee on the first floor serves coffee and refreshments during the event.

The event is open for all! No registration needed.

New Media Doctoral Seminar, February 28

Welcome everyone to the first Media Lab Doctoral Seminar of the year!
On the 28.02.19, at 16.30-19.30, led by Professor Lily Díaz in Learning Centre, JUHO
the doctoral student Heidi Tikka will present her on-going research titled:
Interactions, Materializations – Notes on Doing Artistic Research

In the contemporary landscape of digital, networked media in which new alliances of power, capital and surveillance continuously invent new platforms for their operations, the modes of commodification that they advance increasingly intervene in the most intimate aspects of our lives. My artistic practice has over the years probed these techno-social shifts by questioning how do these forces operate on and reconfigure what we consider our own: the embodied selves and the domains of experience we inhabit.


My research, which is transdisciplinary, practice based artistic research in conversation with a multiplicity of discourses ranging from cinema studies to science studies and new materialism, focuses on human-machine interface as the conceptual-practical site for inquiring into these new forms of embodied and technological intimacy. The central questions I am working on concern the concept of embodiment: how to conceptualize the human body in and through the experimental, heterogenous labours of media art production on one hand and on the other, how to explore and theorize those different convergent sensorial domains that my installations evoke, particularly the entanglements of the aural and the visual with the different forms of tactility.


Pursuing these questions, I will understand my installations as sites of ongoing human and nonhuman labours, and as events that are performed into being in amalgams of interactions and material transformations. I will address these events as materializations, and will inquire into them by producing extensive accounts of the processes in which my installations were developed, produced and exhibited. These narratives also engage in a series of readings of texts that have shaped the becoming of the installations and which continue to be relevant for this retrospective work. However, when writing, I constantly find my work haunted by the question, what does it mean to frame this work as artistic research. How should I make these installations accountable while acknowledging their agency in this process of knowledge production?

Bio

Installation Mother, Child (2000/2011) at the Wäinö Aaltonen Museum 2014

Heidi Tikka is an artist-researcher, whose artistic production ranges from experimental cinema and media archaeology to participatory projects and interactive installations. Most recently she has inquired into different configurations of touch, for instance in “Herbarium”(2016), a media art work for a large touch screen interface, commissioned by Espoo Library and situated at the Iso Omena Service Center. Her films and installations have been shown in ISEA and Transmediale, as well as in Finnish Museum of Photography, Kiasma and Wäinö Aaltonen Museum.  She is the recipient of the first national AVEK Media Art Award (2004). Her other activities include writing and curating. In the past she has worked as a production consultant for AVEK (2008-2012) and in different teaching positions in Media Lab (former Department of Media, 2001-2007).

For the documentation of Heidi Tikka’s recent work please see
http://heiditikka.com/
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Guest speaker: Annette Arlander (Doctor of Arts, Artist, Researcher, Pedagogue)

The Diversity of Artistic Research

Although the area of artistic research is still contested and many prefer to use other related terms in order to avoid the somehow controversial or paradoxical tone of the term in English, the debates around artistic research have continued long enough for us to acknowledge that something like that can be said to exist, if not as a proper discipline, at least as something resembling it. Instead of asking what artistic research is or means, many prefer to ask, what can it do? What can be done with or within artistic research? Today when interdisciplinarity is increasingly sought for to complement the ever-narrowing disciplinary expertise, the possibility of a meeting ground or a (relatively) free space for various disciplines to interact offered by artistic research is needed more than ever. Moreover, the aspect of experimentation and play with alternatives, artistic research as a speculative practice is more and more valued within Academia as well as in society at large. What seems to be the most obvious result of the debates and demonstrations so far is the diversity of the field today.

In this presentation I will discuss some aspects of artistic research through examples of my own practice, in the project Performing with Plants.

An example of a recent publication “Resting with Pines in Nida – attempts at performing with plants”.

http://www.performancephilosophy.org/journal/article/view/232

Bio

Annette Arlander, DA, is an artist, researcher and pedagogue. Previously professor of performance art and theory at Theatre Academy Helsinki (2001-2013), professor of artistic research at University of the Arts Helsinki (2015-2016), postdoctoral fellow at Helsinki Collegium for Advanced Studies (2017), she is presently professor of performance, art and theory at Stockholm University of the Arts (2018-2019), visiting researcher at Academy of Fine Arts, Uniarts Helsinki, PI of the Academy of Finland funded research project How to do things with performance? and the Swedish Research Council funded artistic research project Performing with Plants.

Still image from a video work From the series: “Year of the Dog in Lill-Jans’Wood’ Filmed during 2018 in Stockholm

For artworks and publications, see https://annettearlander.com

 

CfAR: Post Doc Art event 4.12.2018: Artists, Institutions and Social Responsibility

https://sites.uniarts.fi/en/web/cfar/artists-institutions-and-social-responsibility-4.12.2018

CfAR – Centre for Artistic research, Uniarts Helsinki
Post Doc Art event 4.12.2018

Artists, Institutions and Social Responsibility

Tuesday 4.12.2018 at 15:00–19, Theatre Academy, Room 525, Staircase C (Haapaniemenkatu 6, Helsinki)

The group ‘Socially Responsible Arts Institutions and Artists’ is a collective of artists and researchers. They are part of Cupore and ArtsEqual, specializing in promoting the potential in art to create equal encounters between people from different backgrounds. The group’s art and research take place in and with communities, on their own terms or for them. The forms of activity are prison theatre, community museum, community art, audience involvement courses and guided walks in the city. This is the first opportunity to share their work with CfAR. The session is led by Mari Martin and Pekka Kantonen.

Refreshments will be provided – Welcome!

Program 4.12.2018

Anu Koskinen: Participatory observing in prison theatre – An attempt to a thick description in the contexts of artistic action research
Demonstration

Pekka Kantonen: Aesthetical and ethical reflections of the invited outsider cameraman
Reflection with a video

Katja Thomson: Katja and a viola

Ajauksia artist group: Sensory exercise
The group’s work is based on equal decision-making and anonymity. Collective working method is based on bodily and sensory exercises. You can participate in the exercise, in your way, or you can follow it from the outside.

Ehvivaija group: A collective song on artistic research (in Finnish)
The audience can participate in repeating the phrases.

Sari Karttunen: What motivates this group of artist-researchers and how does it relate to the ArtsEqual research initiative

Joint discussion with the audience

Design or Die – Creative Value Creation and Competitiveness

Quite often people in the creative sector are not very familiar with selling their doings nor they are aware of their IPR. The seminar will also discus how companies and public sector could make use of design in multi disciplinary product and service development, innovation processes and strategic planning. 

You are welcome to discuss with us on Tuesday 4 December 2018 at 10-13 at Harald Herlin Learning Centre. 

https://studios.aalto.fi/design-or-die-event

Register for participation RSVP 3rd Dec at 9 the latest

Program:

Welcome to Aalto
JUHANI TENHUNEN (Aalto)
Design or Die – project in short
ANU RAAPPANA (LAMK)
Creative Industry as Primary Industry – not Just a Supporter
PETRA TARJANNE (TEM)
Crossing Borders between Design Education and Work Life through Collaborative Experimentation
TARJA SALMELA-LEPPÄNEN (ULapland)
 
Three Perspectives for Creative Work and Selling
”Selling Design”,
”Designers as Sellers”,
”Designing B2B Selling”
MIKKO ILLI (Aalto), MARIA KUUSISTO (Sherpa)
IPR Toolkit for Designers
JUSSI ILVONEN (Ornamo)
Panel discussion and questions 10-20 minutes.

Getting by: Negotiating Future Livelihoods in the Arts

A Symposium organised by Kiasma, University of the Arts Helsinki, University of Helsinki and Aalto University.

Tuesday, November 13, 2018
at 10:00 – 14:00
Kiasma Theatre
Free entrance

This symposium addresses the future of the artists’ livelihood. Hosted by Kiasma, and co-organised by Uniarts Helsinki, Aalto University and the University of Helsinki, the event focuses on the rapid changes in contemporary society and new affordances that those changes introduce for the professionals working in the arts field. The precarious work market suggests new roles for arts professionals and their education, but also opens up new opportunities for art researchers to probe into the complexities of the late modern society, culture and working life. These and other questions around artists’ future livelihood, along with questions of societal responsibility, are discussed during the symposium.

The symposium invites artists, art-related researchers, art educators, art students, and other stakeholders interested in the artist’s livelihood on Tuesday November 13, 2018, 10 am – 2 pm, at the Kiasma Theatre. Participation is free of charge.

The symposium language is English.

From: Uniarts.fi website

Visiting lecture: HORST HÖRTNER, Ars Electronica Futurelab

Welcome to an open visiting lecture:

Department of Media is pleased to host

HORST HÖRTNER

Senior Director, Ars Electronica Futurelab

Wednesday 24 October 2018
from 17:00–18:30
Väre, room F101 (by the main entrance)

Topic: Art Thinking and Artificial Intelligence

Horst Hörtner will introduce the Ars Electronica Futurelab and by referring to “Art Thinking“ focus on the power and importance of Visions to our future. The necessity of Visions become more important at times of fundamental changes, as we currently experience under the influence of the so called “digitalization” in its appearance as Artificial Intelligence.

Horst Hörtner is a media artist and researcher. He is expert in design of Human Computer Interaction and holds several patents in this field. He started to work in the field of media art in the 1980ies and co-founded the media art group x-space in Graz/Austria in 1990. Hörtner is founding member of the Ars Electronica Futurelab in 1996 and since then directing this atelier/laboratory.

Since 2013, Horst Hörtner also holds a position as conjoint Professor at the University of Newcastle/Australia. He is working in the nexus of art & science and giving lectures and talks at numerous international conferences and universities.

 

Get to know Ars Electronica Futurelab:
https://ars.electronica.art/futurelab/en/ 

Ars Electronica, Linz, Austria:
https://ars.electronica.art/news/en/

This lecture is open to all!

Welcome!