Category Archives: Doctoral Seminar

Photography Off the Scale – Talk by Jussi Parikka – Thursday 20.5 from 15:00 – 16:00

PHOTOGRAPHY OFF THE SCALE

Talk by Jussi Parikka

Thursday, May 20th on Zoom from 15:00 – 16:00

Image © Abelardo Gil-Fournier. Rotating GIF image with text 'Photo Talks' and 'Jussi Parikka'.

Image © Abelardo Gil-Fournier.

Doctoral Seminar – Open to everyone!

When: Thursday, May 20th, 2021
Time: 15:00 – 16:00
Zoom link: https://aalto.zoom.us/j/66102166387

INFO
“For the inaugural Aalto Photo Talks, we have invited media theorist Jussi Parikka as our guest speaker. Parikka has written extensively on new media and digital culture. His writings unravel the historicity of emerging media, tracing our past, articulating our present and imagining our future relationship with technology. In his recent publication Photography Off the Scale, Parikka turns his attention to operational images and image en masse. From the mass image in vernacular culture to transformations of photography in contexts of big data and artificial intelligence, the essays in the book explore the massification of photography. During the talk, Parikka will present his work and his recently-published co-edited photo theory anthology Photography Off the Scale. The presentation will be followed by a casual Q&A discussion.

The talk is open to public and we welcome Aalto students from the Department of Media and other disciplines to join us. Please also feel free to invite students from outside of Aalto.”

You can download the introductory article using the link, under the tab ‘resource’ here.

SPEAKER BIO
Jussi Parikka is Professor of Technological Culture & Aesthetics at University of Southampton and visiting Professor at FAMU at the Academy of Performing Arts, Prague. He is also Docent/Dosentti in Digital Culture Theory at University of Turku. He is the project director for “Operational Images and Visual Culture” (2019-2023, funded by the Czech Science Foundation). Jussi’s books include Koneoppi (2004), Digital Contagions (2007), Insect Media (2010), A Geology of Media (2015), as well as What is Media Archaeology? (2012) alongside several edited collections, including one on Erkki Kurenniemi (Writing and Unwriting Media Art HIstory, 2015, with Joasia Krysa). Recently, he published the co-edited Photography off the Scale (2021, with Tomas Dvorak) and The Lab Book (co-authored with Darren Wershler and Lori Emerson) is forthcoming later in 2021. Jussi also serves on Ihme Helsinki advisory board.

For more info and Jussi Parikka’s blog: http://jussiparikka.net

ABOUT AALTO PHOTO TALKS
Aalto Photo Talks is a series of conversations with thinkers, theorists and practitioners of photography with the aim to expand the notion of photography and explore interdisciplinary connections. The talk is organized by doctoral candidates from Aalto Photography. Although it may take different forms, most talks are organized as casual conversations with the invited guest for a free-flowing exchange of ideas and questions.

For any questions, please contact: Sheung Yiu // Aalto Photo Talks

New Media Doctoral Seminar (DOM-L0007) – 18.3.2021

Welcome to the third New Media Doctoral Seminar of 2021! The seminar will be held virtually on Zoom on Thursday 18th March from 16:30 to 19:30 (GMT + 02.00, Helsinki, EEST).

Mediated by Professor Lily Díaz-Kommonen, there will be two extremely interesting presentations with a Q&A discussion taking place afterwards.

Presentations are open for everyone, welcome!

PRESENTATIONS

Weaponized memes in China: Multimodal discourse analysis of the visual rhetorical appeals of Chinese political memes

by Ningfeng Zhang

Picture of Ningfeng Zhang

Ningfeng Zhang

Abstract:
This study aims to apply multimodal discourse analysis as a theoretical point of entry to define the taxonomy of different rhetorical appeals of political memes in China’s most popular mobile application Wechat. The study views “internet memes” as a form of visual rhetoric, planning to analyze them respectively from representational, compositional, and interpersonal perspectives. The material consists of 357 internet memes posted on Wechat and collected by 10 active Chinese Wechat users in China during July 2019 – January 2021, their referential contents covered a series of social and political events occurring in China, including the Hongkong protest, the outbreak of Covid-19, the Sino-West relationship during the pandemic period and so on.  Multimodal discourse analysis was applied to understand the visual contents, compositional forms, and visual arguments formed communicated via those memes, and ultimately concludes the different visual rhetorical appeals reflected in them. It is both a methodological and theoretical attempt to expand the understanding of the visual rhetorical study and how political memes function in the participatory media culture within a specific social, cultural, and political context.

Ningfeng Zhang is a doctoral candidate currently working as a new media researcher with Prof. Dr. Lily Díaz -Kommonen. His research interest focuses on the social, cultural, and political relevance and the generation mechanism of internet memes in the context of Chinese media environment, exploring the mechanism of how internet memes, as a form of visual rhetoric, a propaganda entity, as well as a facet of citizen journalism, generate, mutate and proliferate in a highly homogeneous media environment.

Intergroup Contact via Telerobtic Puppetry

by Avner Peled

Picture of Avner Peled

Avner Peled

Abstract:
Following the premise of Intergroup Contact, established by Gordon Allport in the 1954 publication The Nature of Prejudice, I am investigating forms of communication that can reduce prejudice between groups in conflict and improve intergroup relations. Technological mediation supports contact in violent conflict scenarios where organizing face-to-face contact is challenging, even more so in light of the COVID-19 pandemic. Online contact forms suffer from a lack of agency, a limited set of nonverbal cues, and an impaired turn-taking flow. Virtual Reality supports user engagement but enforces a mind-body split and a dissociation from terrestrial grounds. I, therefore, propose remote-controlled robots (telerobots) as a way to add corporeal depth to mediated contact, situating a midpoint between online communication and a face-to-face meeting. For this research, the chosen form of implementation for intergroup contact is Telerobtic Puppetry. Puppetry (as well as virtual presence) evokes a hybrid state between object and subject, puppet and puppeteer. A hybrid object absorbs prejudice and problematizes it. Deindividuation of the puppet-avatar turns into a performance of group identities and categorization; a lack of signification opens up a path for self-expression. Design-based research and user surveying are now underway toward a telerobotic, textile-based puppet theater workshop and public performance event that occurs in two locations simultaneously.

Avner Peled is a creative technologist and media artist with a background in computer science, neurobiology, and philosophy. Currently, as Doctoral Researcher at Aalto Media Lab, Avner is exploring the use of telepresence robots as mediators for intergroup contact and conflict resolution in Israel and Palestine. He is also developing 3D web visualizations of big data for the New York Times.

The research is supported by the Kone Foundation.

New Media Doctoral Seminar (DOM-L0007) – 25.2.2021

Rtualising Exhibitions: In Search of Novel Engagement Approaches In Experimental Museology

VRtualising Exhibitions: In Search of Novel Engagement Approaches In Experimental Museology. © Cvijeta Miljak

Welcome to the second New Media Doctoral Seminar (DOM-L0007) of 2021! The seminar will be held virtually on Zoom on Thursday 25th of February.

SCHEDULE: 16:30 to 19:30 (GMT + 02.00, Helsinki, EEST)

Presentations are open for everyone! 

Mediated by Professor Lily Díaz-Kommonen we will have two very fascinating presentations. A Q&A discussion will take place after the presentations.

PRESENTATIONS

VRtualising EXHIBITIONS:
IN SEARCH OF NOVEL ENGAGEMENT APPROACHES IN EXPERIMENTAL MUSEOLOGY
by Cvijeta Miljak

Cvijeta Miljak

The research is carried out in the framework of a pan-European interdisciplinary project that brings together Aalto University School of Arts, Design and Architecture and ZKM – Center for Art and Media Karlsruhe (Germany), the Centre Pompidou, Paris (France), the Ludwig Muzeum, Budapest (Hungary), Tallin Art Hall (Estonia) and Tirana Art Lab (Albania), the institutions encompassing fields of cultural heritage, digital art conservation, digitalising heritage, new media art and experimental museology.In broadest terms, this artistic practice-based research in the emerging field of virtual museology is concerned with developing novel engagement approaches with the aim to encourage co-creative participatory practices for community involvement and social inclusion. The research will take a particular interest in documenting and studying museum audiences’ responses to digital cultural heritage and to virtual exhibitions. The research will support further development and implementation of Performance-oriented Design Methods for Audience Studies and Exhibition Evaluation (PORE), a methodology coined by Lily Díaz-Kommonen.

Miljak’s interest focuses on exploring emerging narratives, visual language and implications of digital tools in relation to immersive media, through developing methods for nonintrusive participatory evaluation practices to re-examine and expand forms of storytelling in digital media.

Cvijeta Miljak is a doctoral candidate working as a researcher with Prof. Lily Díaz -Kommonen on the Creative Europe co-funded project Beyond Matter – Cultural Heritage on the Verge of Virtual Reality (2019-2023).

For a more detailed bio, please check:

GAMIFICATION IN MIXED-REALITY FOR DIGITAL CULTURAL HERITAGE by Gautam Vishwanath

Gautam Vishwanath

This study is focused on the mechanisms through which gamification can be implemented within mixed reality in order to support museum-based activities in the realm of digital cultural heritage. A large part of the work carried out in this study takes place within the context of an EU-H2020 funded project dedicated to citizen curation of cultural heritage called SPICE. Through the use of workshops and tools for design, end-user communities and other stakeholders from the SPICE Case Studies are involved using participatory methods for design and development in order to discern new ideas as well as create prototypes. The research involves a component of practice and draws upon a mixed-method approach employing a variety of qualitative as well as quantitative methodologies such as case sampling, visual thinking strategies, user-experience evaluation, and ethnographic interviews. The projected results of the entire research process are anticipated to provide novel insights regarding mechanisms for gamification in mixed-reality as well as a series of methods that need to be taken into consideration in order to support museum-related activities for digital cultural heritage. In order to ensure maximal ethical integrity and conduct the research in a respectful manner, this study follows the guidelines of the Finnish National Board on Research Integrity TENK as well as other relevant ethical guidelines.

Gautam Vishwanath is a doctoral candidate at the Department of Media having begun his tenure in June 2020. As a member of the Research group ‘Systems of Representation’, he is advised and supervised by Prof Lily Díaz-Kommonen. His research is focused on integratingserious games and new forms of media such as mixed reality into digital cultural heritage.

For more info on Gautam, please visit: Gautam Vishwanath at Systems of Representation research group in the Aalto University School of Arts, Design and Architecture, Media Lab

Event at Aalto.fi